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Dr. Phillip Gwatidzo Literary Foundation

Partners

No single organisation builds a continental ecosystem alone

DPGLF is designed as a coordinator, not an owner of every stage. That keeps costs down, scales faster, and means our partners’ expertise reaches young writers directly.

Working with us

Current partners

publisher

Emoworld Publishers

Publishing partner: editorial support, contracts, distribution and author representation for selected writers.

production

Bluewalk Productions

Story development, adaptation planning and production opportunities.

production

DreamHaus Productions

Visual storytelling and media development expertise.

production

BAG Animation

Animation development and visual adaptation capability.

Where partnerships fit

Five kinds of collaboration

Each type of partner unlocks a different part of the pathway and strengthens the Foundation’s case for the next one.

Publishing

Editorial support, publishing contracts, print and digital publication, distribution, author representation and revenue participation.

  • Emoworld Publishers

Media & production

Story development, adaptation planning and production capability for animation, television, film and documentary.

  • Bluewalk Productions
  • DreamHaus Productions
  • BAG Animation

Education

Access to emerging writers, workshop platforms, curriculum development and distribution channels for educational content.

  • Primary and secondary schools
  • Universities
  • Teacher training colleges
  • Educational NGOs

Cultural & heritage

Preservation expertise, research collaboration and credibility for the archive as a cultural asset.

  • National libraries
  • Museums
  • Cultural centres
  • Language preservation initiatives

International development

Technical support, funding and international visibility for education, youth development and creative economy work.

  • UNESCO
  • Goethe-Institut
  • British Council
  • African Culture Fund
  • Mastercard Foundation

Organisations listed are collaborators and prospective partners identified in the Foundation’s plan. Confirmed partnerships appear above as they are signed.

Mentors and judges

Give a young writer the guidance you wish you had had

Mentors work with one or two writers through a documented development cycle covering story structure, character, dialogue, editing, research, cultural authenticity and intellectual property awareness. Judges read assigned entries and score them against a published rubric.

Both roles are handled entirely in the platform: you only ever see the work assigned to you, feedback stays attached to the version it refers to, and nothing is lost between drafts.

Offer to mentor or judge

Rights, licensing and adaptation enquiries

Publishers, producers and researchers can register interest in a specific story or in the catalogue as a whole.

What you have in mind, your organisation’s track record, and the rights you would be seeking.

Authors retain copyright. Any licence is negotiated with the Foundation and agreed with the author before it takes effect.